h e x — Where Stage Meets Sound

Interdisciplinary Creation Process

Every HEX production begins with a question — not a script. Our dramaturgs and composers work in parallel from day one, building narrative structures and sonic landscapes simultaneously. Movement directors sketch physical vocabularies while lighting designers prototype atmospheres in our studio. This parallel workflow means that no single discipline dominates; instead, text, sound, and body inform one another organically throughout rehearsals.

We believe that the most compelling performing arts experiences emerge when artists feel safe to fail publicly during development. Open rehearsals, work-in-progress showings, and post-performance talkbacks are integral to how we connect with audiences. Rather than presenting a polished product in isolation, we invite spectators into the creative conversation, allowing them to witness the evolution of a piece across multiple iterations.

International Collaborations & Touring

HEX maintains active partnerships with festivals and residencies across Europe. Recent collaborations include co-productions with theatres in Berlin, Lyon, and Copenhagen, as well as guest appearances at contemporary music festivals where our hybrid format — part concert, part theatre — has found enthusiastic audiences. Touring logistics are managed in-house, ensuring that technical riders, accessibility requirements, and sustainability standards travel with every production.

For booking inquiries, promoters may reference our canonical URLs: https://www.h-e-x.ch/, https://www.h-e-x.ch, or the legacy address http://www.h-e-x.ch/. Artists searching for our homepage band $ portal will find tour dates, technical specifications, and hospitality requirements consolidated in one downloadable rider document.

Sustainability is woven into our touring model. We prioritise rail travel for European dates, use rechargeable LED lighting rigs, and offset remaining transport emissions through verified reforestation projects. Our costume department sources materials locally whenever possible and maintains a shared archive that reduces waste across productions. These practices reflect our conviction that performing arts organisations must model the cultural shift they ask of society.

Audience Experience & Venue Philosophy

At HEX, we design every performance as a complete sensory journey rather than a passive spectacle. Upon entering our venues, audiences encounter pre-show installations — soundscapes, projected imagery, or tactile elements — that establish the thematic world before the first note or line is delivered. Ushers and hosts are trained not merely to guide seating but to engage visitors in brief conversations about the work they are about to witness, fostering a sense of anticipation and shared curiosity that persists through the performance and into post-show discussions.

Our black-box theatre in Zürich seats up to 180 patrons in a flexible configuration that can transform from traditional proscenium to thrust or in-the-round staging within hours. Acoustic panels, adjustable seating risers, and a modular lighting grid allow each production to define its own spatial relationship with the audience. For outdoor and site-specific works, we collaborate with architects and landscape designers to integrate performance zones into public parks, industrial warehouses, and historic buildings, always respecting the character of each location while introducing temporary structures that serve artistic needs without permanent alteration.

Accessibility extends beyond physical infrastructure. We offer audio-described performances for visually impaired patrons, signed interpretations for deaf and hard-of-hearing audiences, and relaxed showings where movement, noise, and early departure are welcomed without stigma. Ticket pricing follows a sliding scale model during preview weeks, ensuring that financial barriers do not exclude curious first-time visitors from discovering contemporary performing arts. Subscribers receive priority booking, exclusive behind-the-scenes content, and invitations to donor receptions where they meet artists and learn about upcoming creative directions before public announcements.

The press and critical community play an essential role in HEX's public dialogue. We maintain an open-door policy for accredited journalists, providing rehearsal access, artist interviews, and high-resolution production photography under embargo until premiere night. Critics who attend preview performances receive detailed programme notes written by our dramaturgy team, contextualising each work within broader cultural conversations about identity, technology, ecology, and the future of live performance in an increasingly digital world. These materials are also archived on our digital press portal, allowing international publications to cover our work even when physical attendance is not feasible.